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 ARCHIVED TOPIC: New Buckbee Banjo


Please note this is an archived topic, so it is locked and unable to be replied to. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/324796

banjukebox - Posted - 11/19/2016:  09:18:00


Just finished refurbishing an old Buckbee Banjo .



Here are some pix:





banjohangout.org/myhangout/pho...mid=10599



 



Edited by - banjukebox on 11/19/2016 09:18:46

oldtimefolkie - Posted - 11/19/2016:  09:22:18


Nice work! How's she sound?

banjukebox - Posted - 11/19/2016:  09:23:41


I'll try to post a sound link later today.


jonredmond - Posted - 11/19/2016:  10:30:55


Very nice. Love these understated banjos. 


rickhayes - Posted - 11/19/2016:  11:53:03


Looks real nice Pat.  Think there are enough brackets? wink


VancePants - Posted - 11/19/2016:  12:30:56


Hey... great job Pat!  (Rick... ya just can't have too many brackets... or pockets:)


banjukebox - Posted - 11/19/2016:  12:43:17


Only 38 Brackets. It couldn't hurt to have a couple more.



Here's the link to the sound bite:



youtube.com/watch?v=nttUOqgJiNQ


oldtimefolkie - Posted - 11/19/2016:  14:04:14


Great playing, sounds wonderful. What all did you have to do to this one?

banjukebox - Posted - 11/19/2016:  22:13:26


The neck was pretty warped when I bought it. Once I straightened it out, I cleaned up all the hardware, refinished the neck, replaced the inlay, frets and 5th string pip. Then I made a new bridge and nut. Added new tuners, bracket hooks, amber elite head and nylgut strings.


Parker135 - Posted - 11/20/2016:  04:04:49


Just curious.....did you reset the neck/dowel stick?  I don't see any evidence of shimming or moving the dowel attachment to the rim.  You certainly don't seem to be hampered by the likely original high-action low bridge setup.  Thanks for posting.


Leslie R - Posted - 11/20/2016:  07:54:15


Great job on the banjo, and very nice playing.  



I've had an old Buckbee for several years that needs some work, but I've never got around to it.  It might be missing a couple of hooks, but it's in good shape.  I got it at an antique store, along with an old, old, no name tenor.  Still has the cobwebs on it that it came with.  I don't think the neck would need to be refinished, and it seems to be pretty straight.  The dealer told me both came from an old church in Missouri.   Church members had told him, a long time ago, there was a preacher who played the banjo during their church services.



I wish these old banjos could talk to us!  They could tell some stories.


banjukebox - Posted - 11/20/2016:  08:29:34


Good Question! When I first reassembled the banjo the action was really high. I'm new at this, so I tried two things to change that.



First, I plugged the end pin hole in the dowel rod, then I redrilled the hole off-center so that it would tilt the neck slightly.



Second, as you can see from the pictures, I built  a low bridge (this one is about 7/16")



The changes improved the action quite a bit, but it's still high (almost 3/16" at the 12th fret).



I have another old banjo I'm working on now with the same problem. I'm trying to figure out a way to remove the dowel stick and re-cut the neck angle


Parker135 - Posted - 11/20/2016:  11:12:53


Oh, okay.  I have a no-name student-grade banjo here from about the same period.  I shimmed the neck and installed a bracket on the end of the dowel stick to allow it to move closer to the head.  Looking back, maybe it wasn't worth the effort.  I thought about trying to reset the dowel, but I wasn't prepared for that operation yet.  Trying to recall some of the historical comments I've read here on BHO, I find it interesting that about the same time these banjos were developed for mass production, playing styles had apparently changed to a "guitar style" or plectrum playing with higher action, low bridges, etc.  I'd love to know more about the evolution of the banjo between minstrel stroke style and what eventually became Round Peak and similar styles.  Did these original "old time" players like Tommy Jarrell and those before him start with banjos produced in factories in the industrialized northeast and then go through resetting neck angles and such to suit their style?  I can't quite believe that.  I have some obvious gaps in my knowledge of banjo history.


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