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curtiseller |
This time the dream is a Russian oil tanker
Fidel Castro and Cuban sugarcane
Richard Nixon's having the same old nightmare
Jack Ruby's black secret crawling up through the drain
When the hurricanes finally take out New Orleans
And scarlet fever has finally left Philadelphia bare
There's a ghost that we remember hanging in the air.
Sung from the point of view of a Sarah Palin type, John Wilkes Booth (Don't Make Us Beg) effectively shines a light on the kind of psychology that would drive someone to murder a Lincoln or a Kennedy. Amy Kohn's accordion and a choir of women singing backup sweetens the sarcasm. The slow, lapsteel-driven 3/4 ballad Hartford Circus Fire, 1944 commemorates one of Connecticut's blacker days. "The maestro kept a short leash on the band," Eller sings nonchalantly early on, "Except for the nightmares and the coughing, it's like the circus never passed through." Sugar For The Horses is a fast, cynical minor key shuffle that wouldn't be out of place in the Jack Grace songbook:
The last I heard of Boss Tweed he was locked down in the Tombs
I guess Tammany Hall has lost its bloom
Even if the Volstead Act hits Nevada, there's always sugar for the horses
Sweatshop Fire is another scorching, cynical, minor-key barn-burner with a murderous lapsteel solo from Langol:
I'm gonna burn like a sweatshop fire
I'm climbing up into the rafters and clip that angel's wires
I'm gonna lock the factory door and let 'em sweep the ashes away
If you're holding out for the union to save you
I guess you just turned out on a bad day
I'm gonna get fucked up like Ulysses S. Grant
Get as black as a Tuesday in 1929
The circus fire motif returns in Plea Of The Aerialist's Wife, a blackly humorous, straight-up country number told from the perspective of a woman who wants her man off the wire before he gets killed. Firing Squad is another dark, lickety-split, brilliantly lyrical number that evokes LJ Murphy at his most sardonic. "It's just another blackout for New York City, this town can't get no sleep," Eller rails, chronicling one impending disaster after another. The cd ends with the wrenchingly beautiful Save Me Joe Louis. If you haven't heard this album, you have been deprived.
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Genre: Other
Playing Style: Other
Genre: Other
Playing Style: Other
Genre: Other
Playing Style: Other
Genre: Other
Playing Style: Other
https://curtiseller.com
Playing Since: 1984
Experience Level: Expert/Professional
Interests:
[Teaching] [Jamming] [Socializing] [Helping]
Occupation: Banjo player, songwriter, rock & roll singer
Gender: Male
Age: 57
My Instruments:
Buckeye (no.113), Bart Reiter (Standard), Gold Star (GF-100FE)
Favorite Bands/Musicians:
Elvis Presley, Buster Keaton and Abraham Lincoln
Classified Rating: not rated
Rate this Member
Profile Info:
Visible to: Public
Created 3/6/2006
Last Visit 9/24/2025
Curtis Eller is a banjo player, songwriter and rock & roll singer. A twenty-year show business veteran, Eller and his band The American Circus have developed a devoted international following based on dynamic, highly physical stage performances and an extensive catalog of curious phonographic recordings. The iconoclastic musician has spent more than a decade relentlessly touring the club, theatre and festival stages of a dozen countries in North America and Europe. Eller is a gifted and prolific songwriter who's banjo-driven songs describe a dreamlike vision of American history where all points in time have collapsed into one. The American Circus is diligently at work on a new full-length album on which they have augmented their indelicate, rock & roll rhythms with a tempestuous cloud of horns and an graceless choir of backsliders in their quest to bring Eller's historically evocative compositions to vivid, cinematic life.
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