Banjo Hangout Logo
Banjo Hangout Logo

Premier Sponsors


View djingodjango's Homepage

djingodjango

You must sign into your myHangout account in order to contact djingodjango.


Page 4 of 5 - First | Previous | 1 | 2 | 3 | 4 | 5 | Next | Last

What Is It About The Pipes?

Friday, November 13, 2009

 A group of people, including myself, had gathered at our local elementary school on Tuesday. We had been invited by our children, wives, etc. to help celebrate Veterans Day.

 We milled about in the hallway outside the ‘multi-purpose’ room, some squeezed in uniform; others still looking as dapper as when they put them on afresh years before.

 Some, like me, couldn’t have fit into our uniforms even had we been encouraged with promises of money, movie contracts and tubs of warm butter to help grease our khakis. . Nope. It just wasn’t going to happen.

 So we put on our civvies and let it all hang out.

 There were guys my age, eyes still a-sparkle with memories of military high-jinx and comradeship still fresh in their minds. Others a bit older, a bit quieter with DAV hats on and somber expressions. Their memories edged with sadness and loss.

 There were others a bit younger who had recently retired, or were ready to retire who wore their uniforms with a bit more ease.

 I noticed three young fellows with close cropped hair and camouflaged fatigues. They were in the reserves and had received the news that they were soon to be deployed to Afghanistan. They looked a bit nervous, but proud. They were about to enter a phase of their lives that would burn  memories deep within.

 I stood beside a young woman dressed in a smart business suit.

 “Are you a veteran?” I inquired with some hesitation.

 “Yes, sir.” she replied, the “sir” spoken in a clipped tone, with professionalism and military courtesy.

 “What branch?”

 “Airforce, sir.” She hesitated and then smiled. “I was in the First Gulf War.”  There was a large river of unspoken pride in her answer. She pointed to a line of children going into the ‘multi-purpose room’. “My kids invited me.” She looked very young.

 There were other women, I noticed. Something I never saw in such numbers years ago.

 There were “hellos” and slaps on the back from some of the men, many I recognized from yearly parades and the local American Legion. At times it resembled the scene in the movie “White Christmas” when Bing Crosby greeted the men at the surprise party for General Waverly (‘What do you do with a General When He Stops Being A General?’) just before they sing “We’ll Follow The Old Man Wherever He Wants To Go”.

 Then the school music director came through, thanking us all for being there and asking us to go into the hall in a line of two.

 And then it happened. A piper named Campbell squeezed life into the pipes and out came music.

 I was absolutely frozen with emotion. It was like a metal bolt had been driven through me.

 We marched in silence, two by two, the piper in front. The skirling of the chanter floated through the hall and I was suddenly transported through time and saw Wallace at Bannockburn, blue faced Scots and long swords. The steady drone was there at the Battle of the Somme in World War 1 as one piper led a charge toward a German machine gun nest.

 I was in North Africa during the big WW2 when the “Ladies From Hell” came out of the smoke and sand with the bagpipes leading them.  And I suddenly felt as though I was with Lord Lovat  at Normandy.

 What is it about the sound of the bagpipe that electrifies some folks?  It is, to some, in the same category as the banjo. There is no middle ground. You either love it or hate it.

 I love it. It is the only instrument considered a weapon of war.

 We peeled off and sat down and the ceremony began. Old soldiers, sailors, Airforce veterans, Marines and members of the Coast Guard were all honored by the children that morning. They sang “God Bless American”, “You’re A Grand Old Flag” and all the other songs.

 They sang Lee Greenwoods, “Proud To Be An American” and there wasn’t a dry eye in the place. When they came to the line..”From the lakes of Minnesota”…it was changed to the “mountains of New Hampshire”.

 We all applauded and tissues were brought forth.

 It was a wonderful morning of  recognition for so many men and women who put their life on the line for this country.

 

But it was the lone piper I will remember most of all. I cannot hear the sound of the pipes and remain unmoved. It worms it’s way deep inside me and moves me in a way I cannot explain.

 

Maybe you can.

 

© 2009 George Locke   

 

 

2 comments

Her Shift Is Over

Monday, November 2, 2009 6 comments

Dads, Grandfathers and Sons

Friday, October 23, 2009 Add Comment

Breakfast Morality

Friday, October 16, 2009 2 comments

Entertaining A Rush To Judgement

Tuesday, October 13, 2009 4 comments

Before The Parade Passes By

Monday, October 12, 2009 2 comments

Old Soldiers Never Die

Thursday, October 8, 2009 2 comments

Four Square and Yellow

Monday, October 5, 2009 1 comment

The Face In The Mirror

Saturday, October 3, 2009 2 comments

Ernies Child Visits North Korea

Tuesday, September 29, 2009 1 comment

It Was Your Voice

Monday, September 21, 2009 Add Comment

Krakatoa Pays A Visit

Tuesday, September 15, 2009 Add Comment

The Hole

Sunday, September 13, 2009 Add Comment

Page 4 of 5 - First | Previous | 1 | 2 | 3 | 4 | 5 | Next | Last

Newest Music

Genre: Folk
Playing Style: Unknown/None Chosen

Genre: Folk
Playing Style: Unknown/None Chosen

Genre: Unknown/None Chosen
Playing Style: Unknown/None Chosen

Genre: Folk
Playing Style: Other

see all >

Newest Photos

see all >

Experience Level: Novice

Interests:
[Jamming] [Socializing]

Occupation: Curmudgeon

Gender: Male
Age: 83

My Instruments:
Dana Fligg "George Locke Model" Vega Long Neck
Yamaha acoustic/electric 12 string
Epiphone solid body electric
Washburn D10SCE
Oscar Schmidt 21 Chord Autoharp
and an odd guitar with no name that lurks quietly under the stairs.

Favorite Bands/Musicians:
Richard Thompson, Earl Scruggs, Mike Seeger, Don Reno, Pete Seeger, Joan Baez, Bob Seeger, Joe Pass, Django Reinhardt, Herb Ellis, Charlie Byrd, Charlie Parker, Four Freshmen, Dinah Washington, Ella Fitzgerald, Lady Day, Bessie Smith, Mel Torme, The Roches, Phil Ochs,Bob Dylan, Dave VanRonk, Toots Theilman, Art VanDamme, Chet Baker,Mose Alison, Hank Williams, Brian Setzer, The Beatles, Hank Thompson, Steve Goodman, Benny Goodman, Beethoven, Tchikovsky, Alexander Borodin, Eric Satie, Arron Copeland, The Gershwins (George and Ira), Leonard Bernstein, Steven Sondheim, Henry Mancini and so on

Classified Rating: not rated
Rate this Member

Profile Info:
Visible to: Public
Created 10/29/2008
Last Visit 5/26/2026

It was 1960 and I was fresh out of high school. I had left rock and roll behind for a while after Dave Guard and the Kingston Trio crept up to whack me with a "Tom Dooley"-stick in 1957. Then came "The Brothers Four", "The Highway Men" and "The New Christie ." and I was hooked. I joined the Army because Uncle Sam promised he would send me to Public Information School to learn journalism, photography and a smattering of radio broadcasting. Hootenany was in the air. I followed my favorites, including the heart-breaking clear voice of Joan Baez to Korea while I wrote for "The Cavalier" and "The Stars and Stripe". I was a correspondent and photographer. Then it was on to New Mexico where I found "Peter, Paul and Mary", early" Bob Dylan" and some scratchy "Jimmy Rodgers"('The Singing Brakeman'). I bought my first guitar while I was producing radio programs for "White Sands Missile Range" and learned a few chords. I recorded a few live concerts, using purloined equipment in Coffee houses through the Southwest. Places like "The Don Quixote" in El Paso, Texas. And I listened to performers, gaining knowledge along the way. When I got out, the 60's and ?'s came hurtling at me, dressed with songs from new writers and performers. I went to broadcasting and drama school for a season in Boston and began to listen to the likes of Dylan, Tom Rush, Dave Van Ronk, Donovan, Mark Spoelstra, Patrick Skye, Jim Kweskin and Phil Ochs. I traded my $30 red and black Stella for a Gibson and began haunting places like the "Unicorn" plus "Club 47" in Cambridge and numerous clubs in New Hampshire. Then a group called "The Beatles" changed my view on everything. I became lead singer and rhythm guitarist in a band called, "The Notables". I bought a more expensive Gibson and an electric 12 string. We did 'Stone's' covers and 'Lovin' Spoonful'. I plunged into James Brown. A 22 year old white kid doing James Brown. I was nothing if not audacious. I went into commercial radio in a small market station back in NH. I wrote news, sports, rip and read weather off the teletype and interviewed everyone from William Shatner to Eugene McCarthy.and George Gobel. I got another twelve string. I got married. I acquired 4 children, and lost everything in the war. And I stopped playing for awhile. Then I met my passion. The love of my life. We married. We produced 5 children together. I was writing in earnest, after I began a spriritual journey. I started telling stories. Childrens tales, Anansi, Coyote and all the worlds mythical characters were part of a woven tapestry I still am adding to today. A friend gave me a Martin D35. Another gave me a Yamaha acoustic/electric 12 string. A few months back I sort of 'retired'. That's another way of saying I was let go. It was then I received my 'Dana Fligg' long neck banjo and am now writing for a local literary mag. I sold the Martin. I bought a Washburn acoustic/electric. My wife gave me a fire-engine red solid body Epiphone electric. I have five beautiful grandchildren. There is much more to say and much more to sing about, but I am glad to have found this place.

Terms of Use | Privacy Policy | Privacy Consent (EU/GDPR Only)

Copyright 2026 Banjo Hangout. All Rights Reserved.





Hangout Network Help

View All Topics  |  View Categories

0.90625